At the present moment, on our computer screen we are confronted with a flow of images and texts that sometimes inform us and sometimes misinform us, sometimes terrorize us and sometimes reassure us, sometimes promise to keep alive our illusion that nothing has change. And yet, reality has changed and is changing every day. We observe it, we feel it, we know it. MOMus, continuing the “Resilience Project”, is expanding its resilience and wants to communicate more with everyone who needs it. Share with us an image created by you that has artistic qualities, in response to the conditions of confinement that we experience. The aim is not simply to create social substitutes for our loneliness, nor simply to protect basic values and acquired rights, but, under this extreme and unexpected condition of everyday life that has affected all of us indiscriminately, to redefine values such as freedom, equality, justice, free time, solidarity and access to the basic goods of health, education and culture. Comment our new, hopefully temporary, way of life and of communication with your own photo, your painting, drawing or other visual medium that may be in the form of image, animation, sound, text or video. Give your own tone and let's make the digital album of these days all together.

Thursday, 14 May 2020 20:54

My wedding dress in eighteen

Written by Karrma
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Το νυφικό μου στα 18 Ζωγραφικό έργο Μικτή τεχνική σε σκισμένο και ραμμένο φόρεμα 165 x 130 εκ. \\ Φοιτήτρια της Ανώτατης Σχολής Καλών Τεχνών Τμήματος Εικαστικών και Εφαρμοσμένων Τεχνών, Α.Π.Θ. |Φόρεμα από τη μέσα πλευρά ζωγραφισμένο, εξωτερικά εμφανές μόνο το ντεκολτέ. Το _Νυφικό μου στα 18_ προσπάθησε να σχιστεί να ραφτεί να βρει λύσεις να καταστραφεί να πνιγεί να καεί, όλο τα στοιχεία του "εγκλήματος" τα παραθέτω. instagram: maria_karra__

Additional Info

  • Second Language Title: My wedding dress in eighteen
  • Second Language Description: Maria Karra Painting Mixed material on torn and sewn dress 165 x 130cm
Read 2162 times Last modified on Thursday, 14 May 2020 23:22



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