At the present moment, on our computer screen we are confronted with a flow of images and texts that sometimes inform us and sometimes misinform us, sometimes terrorize us and sometimes reassure us, sometimes promise to keep alive our illusion that nothing has change. And yet, reality has changed and is changing every day. We observe it, we feel it, we know it. MOMus, continuing the “Resilience Project”, is expanding its resilience and wants to communicate more with everyone who needs it. Share with us an image created by you that has artistic qualities, in response to the conditions of confinement that we experience. The aim is not simply to create social substitutes for our loneliness, nor simply to protect basic values and acquired rights, but, under this extreme and unexpected condition of everyday life that has affected all of us indiscriminately, to redefine values such as freedom, equality, justice, free time, solidarity and access to the basic goods of health, education and culture. Comment our new, hopefully temporary, way of life and of communication with your own photo, your painting, drawing or other visual medium that may be in the form of image, animation, sound, text or video. Give your own tone and let's make the digital album of these days all together.

Wednesday, 29 April 2020 12:45


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From the series “ Metropolis- Inner spaces” 2018-2020 Pencils on paper mass in round form .Diameter 90cm depth 8cm «Μητρό-πολις( Metropolis)”, pencils on paper mass in round form, is from my recent series of work titled “ Metropolis- Inner spaces”. “Metropolis” coming from the Greek words μήτηρ- mother mḗtēr -matris-matrix and polis -city. Above views of dreamy archetypal cities, which in the course of the work evolved from Catal Huyuk (the most ancient human settlement),into the virtual reality cities of matrix. Technically started from the tendency of creating labyrinthine openings in the interiors. An organic form viewed from a distance, it draws you to enter into its “internal” spaces. Cut off from the organic life of nature, the concrete city, in there close the contemporary “Desmots” poorly deformed and sterilized, living the illusion of a secure privacy, they mutate slowly into identical copies of data models.
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